
- Georg Wilson
Located in the brand new Glasshouse at Jupiter Artland, we are proud to present a newly commissioned work by Florence Peake To Love and to Cherish (2025).
To Love and to Cherish plays with and subverts the idea of traditional marriage vows and has been created using the bodies and actions of four dancers who painted directly onto the floor through passionate embrace and unwieldy connections during Jupiter Rising x EAF this summer. Through their fervent gestures the floor was saturated in colour, forming the base for a permanent floor painting. Aphrodite’s untamed love is invoked to form a continuous kiss between the performers, leaving its painted trace. Peake has then continued work on the piece – one of her most ambitious to date – which will be unveiled this October for the first time.
The Glasshouse will be available to hire as a wedding venue.
Artist: Florence Peake
Choreographer, sound and performer: Florence Peake
Performers: Katye Coe, Rachel Lopez de la Nieta, Joe Moran, Charlie Morrissey
Producer: Eve Veglio-Hüner
Production Manager: Jim Tuck
Supported by Executive Producer Caroline Smith
Jupiter Exhibition Team: Nicky Wilson, Eloise Bennett, Hamish Halley, Ilaria Leckie & Janaki Mistry
Many thanks to Jonathan Baldock, Eve Stainton, Nicky and Robert Wilson & everyone at Jupiter Artland.
Florence Peake is a London-based artist who has been making solo and group performance works intertwined with an extensive visual art practice since 1995.
Presenting work internationally and across the UK in galleries, theatres and the public realm, Peake is known for an approach which is at once sensual and witty, expressive and rigorous, political and intimate. Peake produces movement, interactive sculpture, paintings that use the whole body’s physicality, text, film and drawings which respond and intercept each other to articulate, extend and push ideas.
Peake’s work explores notions of materiality and physicality: the body as site and vehicle of protest; the erotic and sensual as tools for queering materiality; the subjective and imagined body as a force equal to those that move in our objective flesh-bound world. By encouraging chaotic relationships between the body and material, Peake creates radical and outlandish performances, which in turn generate temporary alliances and micro-communities within the audience. Peake’s painting is as an extension of the body itself: it is produced gesturally and performatively, and is both a manifestation of the external body in motion and the way personal experience and feeling is recorded within the tissue and bones. Her painting practice comes together with sculpture and performance in a reciprocal nature: engaging in a shared dialogue and creating multiple modes of processing performance, and the interrelations between dancers, audiences and sites.
photography by Vicky Polakovic